Friday, November 29, 2019
Amy Foster & The Mythology Of Love Essays - Amy Foster, Amy Pond
  Amy Foster & The Mythology of Love        In "Amy Foster", Joseph Conrad has written a great story that shows the different types of love felt between Amy and Yanko as   described by Joseph Campbell in his essay on "The Mythology of Love".   The relationship of Yanko and Amy is dynamic and changes as the story   progresses. At first, Amy feels compassion for Yanko; she does not see   the differences between him and the English people as the others of   Brenzett do. However, later in the story, compassion turns to passion.   Amy's son is then born; distinctions appear and she is either no   longer able to love Yanko or she loves Yanko to such an extent that   she finds she is incapable of joining Yanko on an earthly plane as   Joseph Campbell describes (page 159). Whatever the reasons may be,  Amy refuses to aid Yanko in his time of need, resulting in Yanko's   death. There is a great change of heart from Amy's first compassion   for Yanko to her nonchalance of his death. However, the results may   have only been a product of the different levels of love felt by Amy   for Yanko. The general population of Brenzett treats Yanko an escaped   lunatic when he is first spotted in the seaside town. He is whipped,   stoned and beaten by many of the residents. In addition, he was   captured and caged like a wild animal. He is described as a "drunk",   "tramp", and "creature". He is very different from the usual   Englishman and is treated as such. He is segregated and is forced to   work for Mr. Swaffer. However, one person sees through the  differences. Amy, perhaps because of her stupidity or an ability to   feel for Yanko, does not see a wild foreigner that screams at night   and dances strangely. She saw only the similarities, the oneness of   two human beings, and not the separateness. This is the basis of   compassion, as Campbell shows. Thus, Amy is able to be "selfless,   boundless, without ego". This compassion shown for Yanko expresses the   affection felt by Amy for the foreigner and is received by him as   love. The love is returned by Yanko in his actions, when he buys Amy a   green ribbon and eventually proposes marriage. This is one of the   levels of love described by Joseph Campbell, compassion. It transcends   differences and differences. The nature of the relationship changes   after the two marry. It degrades from a "higher, spiritual order of   love" to an "animal passion". It is no longer a oneness for which Amy  loves Yanko. Rather, it is the sex drive, the physical want of a male   for a female and vice versa. This type of relationship, as  Campbell states, still "transcends differences and even loyalties".   Conrad writes, "Her infatuation endured. People saw her  going out to meet him in the evening. She stared with unblinking,   fascinated eyes up the road where he was expected to appear..." This   clearly shows that Amy no longer feels compassion; instead, she feels   passion for Yanko. Socially, it is more powerful to feel passion   rather than compassion. However, Campbell asserts that compassion   reveals a deeper understanding of oneness and connection rather than a   lower form of love such as passion, the mere sexual longing for a   member of the opposite sex. Therefore, what may seem to be a   development of greater love for one another may in essence be the  degradation of true love. Soon after, the passion evolves yet again.   There is some ambiguity to what type of love it has been transformed   into; there are two possibilities because of which Amy refuses to help   Yanko. It could be that Amy's love for Yanko has developed into the   third love described by Joseph Campbell, a love for one specific   person. "For let us note well (and here is the high point of Mann's   thinking on the subject): what is lovable about any human being is   precisely his imperfections," says Campbell (page 167). Amy begins to   love Yanko for the individual that he is, not the person that is  connected to her or the member of the opposite sex. Amy sees how he   sings to their new son in a strange language, he teaches the boy how   to pray; she sees    
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